© 2022 MARVELĪfter inheriting a bloodline curse the night before his 18th birthday, Jack Russell becomes a human/wolf hybrid in Marvel’s Disney+ special Werewolf by Night. She-Hulk and Sorcerer Supreme Wong deal with demons in this previs for She-Hulk: Attorney at Law. TTF previsualized this scene to help block out the action sequence as She-Hulk and Wong fight the demons and throw them back into the wormhole. When his actions open up a portal leading to another dimension, hundreds of bat-like creatures fly out. Image courtesy of Amazon Studios.Īs an amateur magician tries to woo the crowd with cheap tricks in Marvel’s She-Hulk: Attorney at Law on Disney+, he decides to wow the audience using the mystic arts. TTF worked with the show team to visualize the action in previs.įinal studio VFX shot of the snow-troll appearing in Episode 1 of The Lord of the Rings: The Rings of Power. In a suspenseful scene from episode 1, Galadriel and her companions explore the vacant fortress of Morogth and soon find themselves being attacked by a terrifying snow-troll. ![]() The Lord of the Rings: The Rings of Power | Released Īmazon Prime Video’s The Lord of the Rings: The Rings of Power boasts a wonderful cinematic experience throughout the series. In addition to producing pitchvis with the director, TTF also visualized action, looks and weapons for the advanced and deadly extraterrestrial Yautja.Ī snarling Yautja captured in previs. The clock turns back to Predator’s first visit to Earth in Fox’s Prey, a period film and prequel in the popular sci-fi action franchise. Gargantos as blocked in previs for Doctor Strange in the Multiverse of Madness. Cyclops AR allowed creatives and crew to roughly see the CG character and the whereabouts of its tentacles on an iPad on set. The Third Floor blocked the towering tentacle creature in both previs and postvis. © 2022 MARVELĭoctor Strange in the Multiverse of Madness | Released Ĭausing mayhem in the streets of Manhattan in Marvel’s Doctor Strange in the Multiverse of Madness is a one-eyed alien octopus called Gargantos. TTF helped to visualize a pantheon of gods amidst cryptic environments and effects.īattle of gods Ammit (left) and Khonshu (right) visualized through postvis. Moon Knight takes to the tomb, as many Egyption characters and creatures are brought to life in the Marvel streaming series on Disney+. The show team could then see where the creature was to aid their plans for filming. Previs animation for the creature was brought into Cyclops, where it was fed into an AR environment that locked to the set. ![]() TTF’s Virtual Production tool Cyclops was used to visualize this creature together with real humans, real courtyard elements and CG set extensions. ![]() ![]() Previs shot of the fight between Eskel and Geralt in the basement lab of Kear Morhen, the Witchers’ base. © 2021 NETFLIXĪlso from The Witcher, the Bruxa character is a powerful vampire who’s natural form is that of a large black bat, but can shapeshift into a human. Previs renders included stylized detail, lighting and textures. Mutated from another Witcher, this forest monster resembles a tree intertwined with moss and forest debris and described as something that “lives to kill.” The TTF team used motion capture performances to create realistic character blocking for the Leshy in the previs’d scenes. The Third Floor (TTF) was excited to help visualize some of these thrills and chills!Įskel is a creature called a Leshy in Season 2 of Netflix’s The Witcher. Over the past year, numerous film and television scenes have brought ghastly creatures to our screens.
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